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World Civilization
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Petrarch
Francesco Petrarca
1304-1374
OBJECTIVES:
- Be able to discuss examples of Petrarch's
involvement in the active life.
- Be able to discuss examples of Petrarch's
dedication to the contemplative life.
- Be able to discuss and explain the tension between
the active and contemplative lives in Petrarch's
writings and life, and between negotium and otium.
- Be able to discuss how the concept of dissidio
relates to the tension between the active and
contemplative lives in Petrarch's writings and in his inner development.
- Be able to discuss the role of writing in
Petrarch's life, and in his creation of the self he aspired to be.
- Be able to relate Petrarch's views on writing to
the historiographical thesis of Ernesto Grasi on humanism, rhetoric, and words.
- Be able to discuss and give examples of the influence on and the role of the classics in Petrarch's writings.
- Be able to discuss Petrarch's view of "imitating" the classics and its relevance to Renaissance concepts of the past and present.
- Be able to compare and contrast the role of Laura in Petrarch's writings to Fiametta in Boccaccio's works and to Beatrice in Dante's work.
TERMS:
- otium:
- leisure and, in particular for Petrarch, literary recreation
- negotium:
- worldly business which often interferes with otium
- dissidio:
- inner sadness of soul
- active life:
- life engaged in the world
- contemplative life:
- life of meditation and prayer focuses on the pursuit of the Spirit, often in isolation from the world
FAMOUS QUOTATIONS:
- On the use and influence of the classics:
- "Resemblance should not be that of a portrait to a sitter... but of a son to a father, where there is often divergence in particular features...." Familiares XXIII 19
- On the conflict between negotium and otium:
- "My wishes fluctuate and my desires conflict, and in their conflict they tear me apart. Thus does the outer man struggle with the inner." Familiares II 9
- On the merits of his own age:
- "I am alive now yet would I rather have been born at some other time." De vita solitaria I 8
- At the summit of Mt. Ventoux:
- "Men go to admire the heights of mountains and the mighty flood of seas and the broad swell of rivers and the compass of the ocean and the wheeling of the stars, yet to themselves they pay no heed. Augustine, Confessions X viii 15
- On Laura:
- "Laura, illustrious for her own virtues and long celebrated in my poetry, fist appeared to me in my early manhood in the church of St. Clare in Avignon, in the 1327th year of our Lord, on 6 April, at the early morning service. And in the same city, in the same month of April, on the same 6th day, in the same first hour of the year 1348, her light was taken from the world..."
Manuscript of the Aeneid, which Petrarch had annotated
OUTLINE
I. Introduction
A. Father of Humanism
B. First modern man?
I) Introspection
ii) self-consciousness
C. Tension between modern and medieval man
II. Biography
A. Birth in Arezzo
B. Avignon
C. Montpellier and Bologna: Law
i) works of Cicero
ii ) Italian vernacular lyric poetry
D. Death of Father and Return to Avignon
i) Laura
ii) the peregrinus ubique (the pilgrim everywhere)
a) discovery of manuscripts
b) themes in literature
E. Vaucluse and otium
F. The Poet Laureate
G. Laura's death
H. Boccaccio
I. Arqua
F. Death
III. Life and Literature
A. Life as a Journey
i) classical images
ii) literature as life
iii) life as literature
a) journey as form of imitation
b) journey as dissatisfaction and escape
iv) references to motion
a) The Ascent of Mt. Ventoux
v) paradox of restlessness
B. Life as a Work of Art
i) Writing and the Creation of Petrarch
a) writing as therapy
b) life as a fabula
c) revision of works and the peregrinus ubique
d)compositional process as a journey in constant motion
e) invention of dates and materials
f) later interpolation of earlier thoughts, feelings, and attitudes
g) assumption of roles and personas of classic heroes
h) overcoming the tension between life and words
i) recreating the past to make sense of the present
j) Life and letters: Ernesto Grassi Thesis
k) Laura
l) The Ascent of Mt. Ventoux
IV. Conflict between the Active and Contemplative Lives
A. The nature of the conflict
i) negotium/otium
ii) Petrarch's poignant description
iii) Petrarch's dissidio
B. Love of the ancient past and negotium: Standing on the Shoulders of Giants
i) paradoxical disdain for present
ii) modeling of works on the classics
a) imitation vs. Remodeling
b) Christianizing the Pagans
c) Petrarch and Dante: continuity vs. Separation
iii) passion for historical accuracy
a) editing of Livy
b) myth of Dido and Aeneas
c) historical ruins
iv) application of literature to life
a)involvement in contemporary affairs
b) Cola di Rienzo
c) Petitions to Popes in Avignon
d) his desire for fame
v) conflict between philosophy and rhetoric
C. Otium
i) De vita solitaria
ii) how contemplative and how active?
D. Relationship between active and contemplative lives
i) contemplation as source of action
V. Summary
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