ENGL 1102 – English Composition II
Spring 2002
Dr.
Mary Magoulick e-mail: mmagouli@gcsu.edu
Office:
3-21 A&S Office phone: 445-3177
Office
hours: R 1:30-3:30; F 1-2 pm, and
by appt.
Required
Texts
The
Bedford Introduction to Literature,
ed. Michael Meyer, fifth edition
A
Writer’s Reference, Diana
Hacker, fourth edition
Course
Description
This course is designed
to build on the skills you developed in 1101. In this class, we’ll read and
discuss poetry, fiction, and drama. In your papers, you will perform close
readings of the texts we discuss in an effort to sharpen your critical
thinking skills. Strong, analytical readers make compelling, persuasive
writers, and this class seeks to help you become both. We will focus on
reading, analyzing, and writing about literature as a means of strengthening
all your skills in reading, writing, and analysis.
Goals
and Outcomes
1)
To reinforce principles of writing acquired in ENGL 1101
2)
To reinforce the principles and strategies of argumentation and analysis
acquired in ENGL 1101
3)
To understand the complexities of culture in order to write or speak about
them
4)
To create forceful and effective written argument in the academic
environment
5)
To reinforce principles of academic research and how to synthesize
research in writing so that the insights and documentation are logical and
clear
6)
To gain insight into various ways of interpreting texts and presenting
insights about them in writing
Assignments
Ø
You are required to read,
closely, the assigned stories, poems, and plays by the beginning of class on
the date the reading is assigned on the syllabus.
Ø
You will write a total of five
essays for this class, and you have the option of revising one of these
essays.
Ø
If you choose to revise an
essay, you should turn the revision in, along with the original, no later than
two weeks before the end of the term; earlier is better.
Ø
One of the five essays will be
a research paper (7-10 pages) due about two thirds of the way through the
semester.
Ø
The final essay is to be
written in class during the second to last week of class.
Ø
The first three essays should
be typed, 3-6 pages in length
Ø
All essays should follow the
standard MLA format (see pp. 348-350 of A
Writer’s Reference); but APA format may be substituted with prior
approval of the instructor.
Ø
First drafts should be typed,
double-spaced, in standard academic format (except for some in-class writing
assignments), and must be made available to all members of your peer-review
group on assigned days.
Ø
First draft must be turned in
with your final draft in order to receive a grade (not turning in a first
draft will automatically lower your overall essay grade by 50%). Not
participating in a peer-review session will also substantially lower your
final essay grade even if you provide a rough draft.
Ø
Keep copies of all drafts of
all essays written for this class in a separate folder to be known as your
“portfolio.”
Ø
You should always retain a
back-up copy of the work you turn in to me. On occasion, there may be in-class
assignments, grammar homework, or quizzes. These cannot be made up.
Ø
Additionally, you will be
required to do one in-class and one group presentation.
Ø
Papers are due at the
beginning of class. If you wait until the last minute to print out your paper,
you rely on temperamental technology at your own risk, which is to say: plan
ahead. Papers are due whether your ink cartridge runs out or not or your
computer crashes or not. Allow for the possibility of these things, and
you’ll give yourself time to reckon with them. Unless an arrangement has
been made ahead of time, late papers will be docked half a letter grade for
each day they are late.
You
will participate in small group workshops to facilitate revision. On days
rough drafts are due you will bring enough copies of your essay to distribute
to all members of your group (normally 3 people; maximum 4). You must read
each essay in your group, make comments, suggest improvements, and fill out
peer-review worksheets. You will receive a GRADE for your work in revising
your fellow students’ essays, so conscientious participation in these
workshops directly influences your own final grade on each essay. The goal of
the workshops is for you to learn to evaluate all writing more effectively, to
see what works and what does not work in essays, and to thereby improve your
own writing skills. Failure
to make your photocopies available at the correct time will result in your
inability to participate in a group session and an automatic 10-50% penalty in
your grade on your final essay.
Attendance
and Participation
Because much of the
work of this class takes place in the classroom, it is imperative you attend
regularly; the success of this class depends on your attendance
and participation. You will lose points whenever you miss a class, or if
you are silent, unengaged, uncooperative, or disrespectful (of other students
or the instructor). I will not cajole you into participating, but I will be
taking note every class period of your level of engagement (this does not mean
you must be aggressive; active listening and alertness are also important
measures of participation). It is your responsibility as a member of this
class, as well as a part of the requirements for this course, to participate.
You can choose to participate or not, just as you can choose to attend class
or turn in your papers on time or not. All the choices you make carry
consequences. If you choose to be well prepared and participate, you’ll
receive credit for your efforts. If you choose to be ill-prepared and remain
uninvolved in the class, your grade will reflect this. As for absences,
missing more than two classes without a documented, legitimate excuse (such as
death in the family or hospitalization) will result in the lowering of your
grade. Except in the case of extreme and extenuating circumstances that can be
properly documented, missing more than five classes will result in a failing
grade for the course. What counts as an excused absence? An absence due to
illness will be excused if you notify me before class and bring a dated excuse
signed by a doctor upon your return. If there are other urgent reasons you
might need to miss class, you will have to document the necessity of doing so
in order to be excused. Please arrive to class on time. If you do come to
class late, it is your responsibility to make sure you haven't been marked
absent and to figure out what you have missed in your absence. Showing up to
class late repeatedly is disruptive and disrespectful and will have a
detrimental effect on your grade. There is no credit for partial attendance.
Missing half the class counts as an absence.
Grades
Only final drafts of
essays will receive grades (out of 100). But participation in a workshop
influences this final grade (as does your improvement from the first draft to
the final draft).
Each of the 3 early
revised essays will count 15% =
45%
The in-class writing and
presentation will count
20%
The final research essay
will count
30%
Participation will count
5%
(but note that you will
lose point from your overall total grade for each class you miss after 2)
If you choose to revise a
paper, the grade of the revision will replace that of the original. Any in-class
quizzes or assignments not accounted for above will be factored in to your
participation grade. While turning in all work will not necessarily assure you
of a passing grade, failure to turn in all the essays will result in a failing
grade for the course.
You will receive grades
for each assignment on a 100 point scale, and those will subsequently be
multiplied by the appropriate percentage. So a grade of 77 on the first essay
would be multiplied by .15 (15%) to constitute 11.55 points (out of 15 possible)
toward your final 100 point total, which result in standard grades: A = 90+;
B=80-89; C=70-79; D=60-69; F=59-
Plagiarism means appropriating (=borrowing, copying, using) the words or ideas of others without giving due credit to the source. This means even if you put it into your own words, you must give citations when you borrow, summarize, paraphrase or repeat IDEAS, FACTS, STATISTICS, any INFORMATION, and WORDS that did not originate in your own head (or that are not extremely common knowledge). To plagiarize is a serious academic offense (for which ignorance is no excuse) and can result in failure of the course. A plagiarized essay will result in an automatic “F” for the paper. If you’re unsure whether or not you might be committing plagiarism or you’re unclear about whether or not you need to credit a source or how to go about doing so, please consult me or your handbook.
Sharing
Your Work
Several times throughout
the semester, we will be looking at student essays, essays written by the
students in this class. These will be copied and distributed to the class; the
writer will remain anonymous. I will not necessarily choose essays because they
are the best or the worst of the bunch, but rather because I see something in
them I think will make for a fruitful discussion, a discussion everyone, not
just the writer, can benefit from. If you write a paper that, for some reason,
you do not wish to be reproduced (because it’s too personal or you discuss
something in it you don’t wish to be shared with the rest of the class),
please note this on the paper when you turn it in.
All essays (those with my
comments, not fresh copies) should be kept in a portfolio and brought to
conferences and appointments.
Schedule
The following is the
basic outline of the course, though it is subject to change. All readings listed
below will be found in The Bedford
Introduction to Literature.
M 1/7
Introduction, syllabus, diagnostic writing sample
W 1/9
“Reading Fiction Responsively” 9-23 (including Chopin’s story)
F
1/11 Read 24-39 (Bedford) including Godwin,
Vander Zee, and Perspectives
M
1/14 Writing About Fiction 40-59
(discuss revision, brainstorming, thesis)
W
1/16 Plot 60-61, Faulkner 72-81 &
Character 97-98, Murkherjee 102-112
F
1/18 Setting 143-5, Symbolism
215-222 (includes stories by Cisneros & Colette)
First papers assigned (on symbolism)
M
1/21 MLK holiday = no class
W
1/23 Theme 243-246, Style, Tone &
Irony 268-275, Minot 290-297
F
1/25 Rough Draft of first
essay DUE (bring copies for peer review workshops); grammar & mechanics
review
M
1/28 Hawthorne 306-320,
329-341, 365-369
W 1/30 O’Connor 369-373, 381-406
F 2/1 O’Connor 407-429
Revision Essay #1; Essay
#2 assigned
M 2/4
Kafka, 528, Allende, 581
W 2/6
Johnson 523, Head & Mahfouz 586-593
F 2/8
Rough draft of essay #2 due; peer workshop (bring copies to
distribute)
M 2/11
BEGIN POETRY SECTION – Oral Poetry (in-class)
W 2/13
Reading Poetry 671-698
F 2/15
Revision Essay #2 due;
Writing About Poetry 710-167
M
2/18 Word Choice, Word Order, and
Tone 717-731, 743-745
W 2/20
Translations, 746-751 & Images 752-759 (also 1096)
F 2/22
Figures of Speech 775-784 & Symbol, Allegory, Irony, 797-806
Essay
#3 assigned
M 2/25
Sounds 826-838 & Patterns of Rhythm 856-863
W 2/27
Poetic Forms 876-884, 890-899, Open Form 902-909
Research
Papers Assigned
F 3/1
No class; work on essays
M
3/4 Rough Draft of Essay #3
due; peer editing workshop (bring copies to distribute)
W
3/6 The Literary Research Paper
2099-2117; A Sample Research Paper 2113
F 3/8 Dickinson 925-932, “After Great Pain” 946, “I dwell in Possibility” 943, “I felt a Cleaving in my Mind” 950, “I heard a Fly buzz—when I died” 946
Research Paper topics due
M 3/11 Dickinson: “I like a look of Agony” 938, “I’m Nobody! Who are you?” 938, “The Soul Selects her own Society” 941; Waniek: “Emily Dickinson’s Defunct” 912
Revision
Essay #3 due
W 3/13
Perspectives on Dickinson 952-970
F 3/15
Hughes 1009-1022, 1027
M 3/18
Perspectives on Hughes 1034-1043
W
3/20 Angelou 1073, Anon 1074-1077,
Harjo 1094, Momaday 1110, Shakespeare 1116-1118, Whitman 1123-1124, Yeats,
1130-1133
Research paper sources due
Assignment: students find (or write) good poetry to share
F
3/22 Student Poetry examples
shared and discussed
3/23-3/31 Spring Break
M 4/1
DRAMA Section; Reading Drama 1169-1188; 1196-1209; begin watching video
of Oedipus
Annotated bibliography due
W 4/3
Oedipus (cont. see also book pp. 1223-1303)
F 4/5
Oedipus concluded; Writing About Drama 1210-1223, 1303-1315
M 4/8
Shakespeare 1316-1326; begin watching Hamlet (Mel Gibson)
copy of note cards and outline due
W 4/10
Continue watching Hamlet
F 4/12
Conclude Hamlet (discussion)
M 4/15
Rough Draft Research Papers Due; Peer revision workshops (bring
copies of essays)
W
4/17 Modern Drama 1559-1562,
1684-1685
STUDENTS SHOULD plan to attend a performance of Julius Caesar
(GC&SU production)
F 4/19
Critical Thinking & The Literary Canon 2021-2025, Deconstructionist
Strategies 2041-2043
Revised Research Papers due
M
4/22 Essay
#5 (written in class)
W 4/24
Students Presentations
F 4/26
Student Presentations
In
the event of a fire alarm signal, students will exit the building in a quick and
orderly manner through the nearest hallway exit. Learn the floor plan and exits
of this building. Do not use elevators. Crawl on the floor if you encounter
heavy smoke. Assist physically challenged persons and others if possible without
endangering your own life. Assemble for a head count on the front lawn of main
campus.
If
you have any special needs or concerns that will bear on your ability to perform
in this class, please come talk to me.