Gender and Identity in Multicultural American Literature

 ENGL/BLST/WMST 4669 / 5669 – Georgia College & State University – Spring 2003

Dr. Mary Magoulick    Office: A&S 3-21; mmagouli@gcsu.edu Phone:445-3177  Office Hours:  M,F 9-10, W 1:30-2:30

Schedule of readings/assignments

Erdrich Study Guide/Information

                                        Web LINKS of interest

Voices from the Gaps excellent resource for many women writers of color from University of MN

African American literature yahoo web links

Asian American literature yahoo web links

Native American literature yahoo web links

Native American Authors web resources

Native American web index

Native American Storytellers online

Soul Search search engine for world's people of color

Latin Culture on about.com

House on Mango Street information

Texts (in the order in which they are to be read)

  1. Jasmine by Bharati Mukherjee. New York: Grove Press, 1989, 256 pp, $12
  2. Love Medicine: New and Expanded Version by Louise Erdrich. New York: HarperPerennial, 1993/1984, 384 pp, $12
  3. Power by Linda Hogan. New York: W.W. Norton & Co., 1998, $13.00.
  4. The Woman Warrior Maxine Hong Kingston. New York: Vintage International, 1975, 209 pp, $11
  5. Caramelo or Puro Cuento by Sandra Cisneros. New York: Alfred A. Knopf, 2002, $24.00
  6. Dreaming in Cuban by Cristina Garcia. New York: Ballantine Books, 1992,  $14.00
  7. Their Eyes Were Watching God by Zora Neale Hurston, New York: HarperCollins, 1937, 219 pp, $13.50
  8.  Paradise by Toni Morrison. New York: Plume / The Penguin Group, 1997, 318 pp, $13.95.

Course Objectives

Multicultural American literature resonates with the hopes and fears of the whole of American history and reflects the rich complexity and variety of the American experience. All of our novels this semester are written by women and focus primarily on issues of gender and identity. Thus perspectives of gender and identity will be central to our discussions throughout this semester. The novels will lead us into discussions of women's experiences roles, potentials, hopes and fears. We will examine how confusion over identity, particularly identity centered on ethnicity and gender, informs, complicates and enriches the literature. In a larger sense we will consider how otherness defines and influences fictional lives (and perhaps our own lives as well). Our ultimate goal will be to consider what it means to be human.

Course Description

 This course will consist of lectures and discussions based on readings. Most readings are novels, though poetry and folklore will offer interesting background and depth to our discussions at various points in the semester. During the first half of the semester I will lead the discussions and offer background and critical theory to help understand the novels in questions. To increase student involvement, during the second half of the semester students will take responsibility for leading class sessions. As an undergraduate you will be part of a group that researches background or contextual information or reads supplemental texts (such as criticism, related poetry or folklore, and cultural information that is appropriate). Your group's task is to generate discussion for your particular novel. You may provide a study guide the week before your presentation date. The goal here is to lead a lively discussion, not to demonstrate extensive knowledge. Throughout the semester, the novels will stand less as discrete literary units than as a means to help us deepen our discussions of gender and identity in American culture and American literature generally.

Requirements

·        One long critical essay (minimum 10 pages), explicating a specific text of multicultural American literature in terms of the issues and ideas raised in this class. You must discuss your topic with me in advance.

·        Two short critical responses (not summaries) to assigned readings (1-2 pages each). These will be your individual responses to selected texts. You do not have to do any research or additional reading, but merely write (critically and rigorously) about your ideas of the text. Take a specific passage and analyze it, line by line, word by word to get at its significance (keeping in mind connections to the overall text).

·        A group presentation (leading discussion of a novel). As part of a small group, you will be asked to lead discussions of one of the novels. Your group will be in charge of the class on these days and should come prepared with background or critical information about the novel, the culture involved in the novel, and/or the author. The most important thing is to generate good discussion, not to demonstrate extensive research.

·        Regular, active attendance and participation. Be prepared to ask and answer questions, and to raise and discuss issues of significance to this class.

·        Occasional in-class writing assignments, known as “free writing.”

·        Timely completion of all assignments. Readings are to be completed before the due date.

Grading
Paper:                                     40%
Leading Class (Presentation):  30%
Critical Responses:                  20%
Other Work & Participation:   10%

Assuming you make a good faith effort to come to class and do all the other assignments (critical and free writing and leading a presentation), your course grade will reflect your term paper grade.

Notes

 

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