SOPHOCLES, ca. 496-406 BCE (Socrates executed 399 BCE)

Source: Norton Anthology of World Masterpieces, expanded edition in one vol, ed. Maynard Mack, 1997, pp. 87-92 & 388-391

Aeschylus – heroic period of Persian defeat on Greek soil

Sophocles – younger contemporary lived to see Athens advanced in power and prosperity

Prominent in city affairs (served w/ greatest ruler Pericles) Died 2 yrs before surrender to Sparta

        Career as brilliant dramatist began 468 – 1st prize at Dionysia

(vs Aeschylus) à wrote 120 plays

       Did not act much, came up w/ idea of 3rd actor

(vs traditional 2 who change masks to repr others)

Sophocles used 3rd actor to create complex triangular scenes like dialogue btw Oedipus and Corinthian mess

       (reveals to listening Jocasta the ghastly truth)

Written in and for Athens – during intellectual revolution

OEDIPUS THE KING – tragedy

Man of high principles & probing intelligence follows prompting to final consequence of true self-knowledge

       -- putting out eyes (full of significance)

STORY well known to audience

(legend handed down from parent to child over generations)

Implicit wealth of meaning, learned in childhood, rooted in deep conscns of all members of community

MYTH – authority of history (of ages), religious authority: concerned w/ relation betw humanity and gods

Power b/c of subject matter (arouse irrational hopes and fears that lie deep and secret in human cnsns)

Oedipus = mysterious figure of past who broke most fund human taboo; but char like typical 5th c Athenian

All virtues and vices typical (e.g. ATHENIAN devotion to city, conscientious and patriotic ruler)

Sudden unreasoning rage (also typical fault); confidence in human intelligence (esp his own)

Moves though cycle of critical, rationalist movement of century to piety & orthodoxy

Opening scene taunts at oracles à despairing courage to accept consequences

Knowledge = ignorance; Clear vision = blindness

Determined probing à putting out his own eyes

ARISTOTLE – writes of tragic hero (Poetics): pity and terror are aroused most effectively by spectacle of man

who is “not pre-eminent in virtue and justice, and yet on the other hand does not fall into misfortune through vice or depravity, but falls because of some mistake, one among the number of the highly renowned and prosperous, such as Oedipus”

OEDIPUS FRAILTIES: anger, impiety, self-confidence; all aspects of his character lead to fall (good & bad)     (see p. 390)

QUESTIONS of FATE vs Human Action

Does Apollo predict or determine?

FATE fulfilled, but we feel he suffers more than he deserves in end

Example of INADEQUACY of human intellect

Warning of power(s) in universe humanity can’t control

       Or even fully understand

Oedipus the man has our sympathy

(See rest of trilogy esp Oedipus at Colonus)

Foreshadowed in Oedipus the King

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